Be warned, this one is…weird and gruesome (and short), even for me. I saw the words old apple tree somewhere and the story, literally and figuratively, took root.
There was no use in having an apple tree that only bears rotten fruit, but try cutting it down and see what happens. That’s what happened to Jane, my great aunt, thirty two years ago.
The Killing Tree itself is a shriveled, decrepit thing, tall and thin and looking like it just might reach out and snatch you. You could smell the sickly sweet stench of it from a mile away, like rotting dessert set out for too many days too long—the bark soft as if it was damp earth, your fingernails sinking deep if you pressed too hard.
Every year, fallen apples surround the tree in piles, along with poor little rodents lying with their swollen bellies turned up. If you ripped one of the fallen fruits open, you would see black skin and ruby red insides, the texture sticky and slick, making an odd crunching, slurping sound as you break the skin.
The world feels uncomfortably quiet around this area, no birds, no flowers, not a thing with lungs and a heart. Sometimes, if you closed your eyes, you could almost hear it whisper.
My grandmother once told me a story about a little boy who had eaten one of the Killing Tree’s apples; he bit into the cursed thing, lost his head, and went after the chickens in the shed. He died shortly after, and my grandmother still shudders at the sound of gunfire. The boy had been her cousin. They say it tastes sweet, the sweetest thing you can imagine, your teeth sinking into the withered softness.
Grandma says that’s why the rodents eat it, even when they know they’ll die.
I watched the spiny limbs shiver in the breeze, the great thing like a tower in the grey sky. I could smell it’s sickly sweetness, the rotted taste, and I would run the other way if my uncle wasn’t on his hands and feet in front of it.
Red ran down his chin in streams, mangled corpses of apples littering the ground in front of him—he ate the stem, the core, the flesh, the rotted bits, everything. I was running out of time, but I couldn’t raise the rifle just yet, I couldn’t tear my eyes away.
His hands crammed every rotted-black apple they could find into his mouth, eyes wide, crazed with hunger. Soon, he’ll run out of apples. I gripped the rifle a little tighter. Grandma said it was my turn now, a test to see if I have what it takes to own this land, to protect it.
I took one step closer. I should do it now, while his back is turned.
Too late.
His head shot up, his stained fingers clawing at his mouth, his stomach. There were no apples left under the tree. His teeth were black and red when he bared them, maggots crawling in-between his teeth.
It almost looked like he was eating organs, like hearts and lungs and kidneys and livers throbbing in his clawed hands. It helped to imagine he was in a zombie movie, and he was an actor eating life-like fakes for the camera and the black veins in his eyes were just prosthetics—he was secretly alive and well, and the juices running down his chin was just red syrup.
If he was the zombie, then I was the survivor. Maybe this is just make-believe too.
The scene begins with a boy raising a gun at his infected uncle, haunting music playing in the background, the camera switching from the boy’s wide, tearful face to his uncle’s vacant, starved snarl. The zombie is suddenly hungry for fresher, more alive prey and staggers to his feet, his hands reaching out in bony claws, juices and drool bubbling at the corner of his mouth—the boy feels an instant of stone cold fear and then-
The gunshot echoes through the valley. My uncle goes down limp, like a marionette doll with it’s strings cut. The hole in his skull bleeds.
I sob while the roots take what is owed. You take from the Killing Tree, it takes you.
So there it is. Thank you for reading, I hope you enjoyed it! Though if you didn’t, I’m always happy to hear constructive criticism.